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October 31, 2010 (probable)·Caller's story·3 min·at 1:45:59 in the broadcast

Figure in trench coat and fedora at a Dallas window

A caller who says they live in Dallas, Texas, tells Art Bell that one night, after coming downstairs to get a sandwich, they looked out their grandparents’ living-room window. They say they saw a tall, faceless man in a trench coat and fedora appear at the magnolia tree outside. They say he took one step toward the window and that they felt him looking at them. When the caller blurted an exclamation, he stepped back and faded into the night. No other witness is named and no documentation is presented.

Story statusAI draft, not yet checked
Start and end pointsNot yet checked · confidence 0.85
How it was toldFirsthand · Live call
0:00 / 3:28
Play
0:26 · The caller says they are from Dallas, Texas, and live with their grandparents in an old house that has always been theirs. They note there are no claimed Indian burial grounds.0:38 · After getting home from work they stay up late on their computer, come downstairs for a roast beef sandwich, and pass through the living room.0:50 · They open the curtain at the sliding glass window and look out at a large magnolia tree at the end of the yard.1:03 · After about half a minute they report a form materializing in front of them, roughly six feet tall, a man in a trench coat and fedora.1:25 · The caller reports the figure had no discernible eyes and no features.1:38 · The caller says they saw him looking at them and felt him looking at them. They describe him as digging through their brain to size up whether they were a threat.2:05 · The caller says he took one long striding step toward the sliding glass window and that he looked taller than first estimated, maybe six feet five inches to seven feet.2:22 · The caller reports the edges of the figure were hazy, comparing it to something from a Predator movie.2:29 · The caller says they exclaimed [quote withheld] and that on hearing this he stepped backward and began blending into the night again, as if he had always been there.2:52 · Art Bell remarks that ghosts may be as surprised to see the witness as the witness is to see them.
clip start● reported events: click one to jump thereclip end

This clip comes from the source recording. AI chose where it starts and ends, so it may start or end a little early or late. The word-for-word transcript is not published. You can hear the source recording on the Internet Archive (file “Ghost to Ghost 2010.mp3”, starting at 1:45:59). Is this you, or someone you know? Ask for a correction or removal.

The story as told

The caller, who says [quote withheld] tells Art Bell they live with their grandparents in an old house that has “always been theirs.” The caller notes there are no claimed burial grounds involved. One night after coming home from work they stayed up late on their computer. They came downstairs to get a roast beef sandwich from the refrigerator. Passing through the living room, they went to the sliding glass window, opened the curtain, and looked out at a large magnolia tree. After about half a minute the caller says a form materialized in front of them, appearing to stop blending in with the night. It was a man about six feet tall (later they say he looked [quote withheld]), wearing a trench coat and a fedora hat. The caller says he had no discernible eyes and no features. The caller says they both saw him and [quote withheld] and describes a sensation of him [quote withheld] The caller says he took one long striding step toward the sliding glass window. They then noticed the edges of him were [quote withheld] The caller says they exclaimed [quote withheld] On hearing this, they say, he stepped backward and began blending into the night again, [quote withheld] Art Bell comments that ghosts may be as surprised as the person who sees them. The caller reports no further activity and names no other witness.

Reported events, in order

  1. 0:26

    The caller says they are from Dallas, Texas, and live with their grandparents in an old house that has always been theirs. They note there are no claimed Indian burial grounds.

  2. 0:38

    After getting home from work they stay up late on their computer, come downstairs for a roast beef sandwich, and pass through the living room.

  3. 0:50

    They open the curtain at the sliding glass window and look out at a large magnolia tree at the end of the yard.

  4. 1:03

    After about half a minute they report a form materializing in front of them, roughly six feet tall, a man in a trench coat and fedora.

  5. 1:25

    The caller reports the figure had no discernible eyes and no features.

  6. 1:38

    The caller says they saw him looking at them and felt him looking at them. They describe him as digging through their brain to size up whether they were a threat.

  7. 2:05

    The caller says he took one long striding step toward the sliding glass window and that he looked taller than first estimated, maybe six feet five inches to seven feet.

  8. 2:22

    The caller reports the edges of the figure were hazy, comparing it to something from a Predator movie.

  9. 2:29

    The caller says they exclaimed [quote withheld] and that on hearing this he stepped backward and began blending into the night again, as if he had always been there.

  10. 2:52

    Art Bell remarks that ghosts may be as surprised to see the witness as the witness is to see them.

Claims

Each claim is labeled as something the person telling the story noticed (observation), what they made of it (interpretation), something others told them (hearsay), or something the host said (host statement).

  • observation· 1:03

    A form appeared in front of them at the window after about half a minute of looking outside.

  • observation· 1:17

    The form appeared as a man in a trench coat and fedora hat, about six feet tall.

  • observation· 1:25

    The figure had no discernible eyes or facial features.

  • observation· 1:38

    The caller reports a felt sense of being looked at and mentally probed by the figure.

  • interpretation· 1:45

    They take the sensation to mean the figure was judging whether they were a threat.

  • observation· 2:05

    The figure took one long striding step toward the window where the caller stood.

  • observation· 2:22

    The edges of the figure looked hazy to the caller.

  • observation· 2:39

    After the caller spoke the exclamation, the figure stepped back and blended into the night.

  • interpretation· 0:10

    The caller says in general terms that spirits are active in Texas at Halloween. They do not say what they take the figure to be.

  • host statement· 2:52

    Art Bell says spirits may be surprised to see witnesses.

Scores, with reasons

An AI model gave these scores using a fixed set of scoring rules (scoring-v1). They are editorial judgments and rough guides, not the odds that anything paranormal happened. How scoring works.

Believability
A rough guide to how credible the story is as told
60

This is a firsthand, coherent story with some concrete description. But it is brief, not backed up by anyone else, and undated. A common ordinary explanation (looking through window glass at night) fits easily and is not addressed. My estimates for the parts: closeness to the events 21, specificity 12, internal consistency 16, alternative explanations 4, calibration 7.

Evidence for and against
For
  • The caller saw it themselves, not secondhand.
  • Concrete description: trench coat, fedora, apparent height, magnolia tree, sliding glass window.
  • The sequence holds together with no clear contradiction, and the caller’s answers to Art’s interjections fit the story.
Against
  • No date, address, or checkable details.
  • The caller does not consider alternative explanations.
  • The caller reports an inner impression ([quote withheld]) alongside what they saw, without separating them.
Uncertain or missing
  • No date, address, or other checkable detail is given.
  • The first labels showing who is speaking, around the start of the call, are unreliable.
Passages cited
  • 1:03
  • 1:25
  • 2:05
  • 2:22

What the model inferred (not said on air): My judgments for each part (closeness to the events, specificity, consistency, alternative explanations, calibration) come from my reasoning about the transcript content.

Evidence strength
Support in the story that others could check
8

The story rests entirely on the caller’s own word. No physical evidence is claimed, no other witness is named, and no checkable details (date, address, names) are supplied.

Evidence for and against
For
  • Firsthand story of a single reported event.
Against
  • No photograph, recording, mark, or document claimed.
  • No second witness speaks or is even named.
  • No date or address given that could be checked.
Uncertain or missing
  • No names, dates, addresses, or documentation are given, so nothing here can be checked even in principle.
Passages cited
  • 0:26
  • 1:03

What the model inferred (not said on air): I assigned the bottom range because nothing beyond the caller’s own word is present in this part of the broadcast.

Creepiness
How unsettling the story is, for entertainment
50

A faceless figure appearing outside a home window at night, reported as staring and stepping toward the witness, is moderately unsettling. The intrusion on a safe home and the sensation of being mentally probed raise it. The abrupt comic phrase and the figure’s retreat lower it.

Evidence for and against
For
  • A figure appears at a window of the caller’s home at night.
  • The caller reports feeling examined or assessed by the figure.
  • The figure reportedly steps toward the window where the caller stands.
Against
  • No threat, contact, or harm is reported.
  • The encounter ends right away and the caller goes on with their night.
Uncertain or missing
  • The comic exclamation and Art’s calm response reduce the lasting dread. Listener reactions will vary.
Passages cited
  • 1:38
  • 2:05
  • 2:39

What the model inferred (not said on air): This is my assessment of how unsettling the story is for a listener, not a claim about the events.

Originality
How different it is from familiar recurring details
57

A faceless man in a fedora seen at night through a window is a familiar ghost-story setup. But the arrival and departure by [quote withheld] and the improvised phrase that seems to end it are distinctive details.

Evidence for and against
For
  • A faceless, hat-wearing figure at a window at night.
  • A figure reported to fade into and out of the dark rather than walk away.
Against
  • The core elements (hat man, faceless figure, nighttime window sighting) are stock motifs.
Uncertain or missing
  • The comparison with the rest of the archive is provisional in this pilot. No such comparison was available to this analysis.
Passages cited
  • 1:20
  • 2:22
  • 2:39

What the model inferred (not said on air): This is my judgment of how familiar the motif is and how distinctive the details are. The comparison with the rest of the archive cannot be calculated from a single part of the broadcast.

Scoring confidence 0.72 · analysis confidence 0.80 · checked against outside sources: no · evidence available: The caller’s own firsthand story only; No documentation, photograph, recording, or mark claimed; No second witness named or speaking on air. The originality score blends the model's score (48) with how rare the story's details are across the archive. This method is still provisional.

Ordinary explanations to consider

These are possibilities only. None is a finding about what happened.

  • A reflection or image in the dark window glass, or a shape formed by the magnolia tree and shadows, read as a figure. · The caller was looking out through a sliding glass window at night and says the form [quote withheld]
  • Seeing a man in a coat and hat in a featureless dark shape at a distance in poor light. · The caller reports no discernible eyes or features and hazy edges on the figure.

What stands out

The caller reports the figure as a man in a fedora and trench coat who first [quote withheld] and then pulls back the same way after they blurt an improvised exclamation. They tie the retreat to the spoken phrase rather than to prayer or a command. They also describe an inner sensation of being mentally “sized up” by the figure.

Related stories

Matched by shared recurring details, categories, and wording.